Couple things to notice. I originally had the hero fearlessly jumping at the monster, but that wasn't really working for me. So he came forward and got entangled in the muck. I saw this picture of this roman sculpt when I was little and it's always stuck with me. Something so calm and cool about all three of them: 'Stupid serpents of evil, we're trying to talk here!'
Also, there was going to be a chick in the image as well, but as I was drawing her, I just couldn't wrap my head around the narrative. Too complicated without actually being interesting. Same thing with those roots. Too much.
Also, during the build, you'll see the text turn on and off. I dropped in the text early, knowing that I wanted the composition to be 50/50 text/image, but kept it shut off (hidden) most of the time because of the gritty complex fonts. They tend to choke Illustrator. I like that program because it really moves at the speed of thought, so it's just an efficiency thing.
Have a pleasant weekend.
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