May 3, 2010

Foreshortening in Comics: Do it.

It has to be said.

Alex Ross, one of the most popular artists in the world, has spread a plague throughout comics. That plague is using models exclusively. While Ross is a tremendous artist with incredible skill, his real strength is his casting. He casts models who look exactly the way readers want to see Superman, or Wonder Woman, or Peter Parker, etc. Ross has produced brilliant work and if he wanted to move to LA, he could single-handledly resolve Hollywood's age-old comics-to-film tailspin.

Unfortunately, Ross has inspired a wave of pale imitation, even among the ranks of already-great artists. Don't get me wrong. Working from life is essential to creating great comics, but working from life exclusively is a big fat snooze-fest that will eventually kill the comics industry. If they want to keep the industry alive, focus past the triple-bypass recipients who want 'graphic novels' and make some fun shit for kids. Otherwise known as, and I'll say the dreaded word aloud: funnybooks.

Kirby and Ditko made funnybooks. Funnybooks can be read by adults and children alike. Modern comics are generally one of two items: Gritty CSI-looking, mildly superhero-involved, adult-themed, Comics-Code detesting, let's put the 'graphic' in graphic novel, graphic novels. OR they are for babies. Marvel Kids is ok, but what kid over 9 would be caught dead reading that? Write perpetually for a 13 year old and you can't miss. Kids want to be adults and adults want to be kids (the ones who read comics do anyway). Sounds stupid? Rocky and Bullwinkle did it. Pixar does it daily.

The most visually attractive feature in comic art is the fisheyed foreshortening. Comics OWNS foreshortening. Sure, an object in a film can get in your face (like the Delorean zooming at us at the end of Back to the Future), but the effect can only last for an instant, after that instant it becomes a normal static object, or a bizarrely framed trick shot. When it works, it works quickly and the specialness fades just as quickly. Comics can hold that in-your-face awesomeness indefinitely.

It's awesome.

But then comes the life drawing brigade with their "realism". Here are two examples I've found recently.

I'm a huge Alex Maleev fan. I've gushed my adoration directly to his face, and would do so again.

However anyone can pull a boner, and this one is a trainwreck of life drawing run amok.

She's pointing toward us. Whenever someone in a comic book is pointing, punching, flying, falling, kicking toward us, we need some serious fisheye forshortening. Here we have what looks like an odd arm-stump with a two fingered hand and no thumb. The foreshortening is there, but flattened, like it was taken with a camera with a long-distance lens. It probably was. The body position is kinda weird and the boobs look really flat, even though Maleev has a good excuse to make em look fuller (and more comic bookey) since she's flying above us. What is she doing with her hips? And what's with the stumpy foot? I can't underst...Wait a minute...

Suddenly it makes sense. It's a model laying on a table in a studio.

Gravity makes boobies go sideways when a woman is laying on her back. This explains the odd position of her hips; she's arching her back upward. Sadly, the arm and foot still look weird.

Even her hair starts to make more sense. It looks like it's laying in a clump, rather than flying wildly. Life-model strikes again.






Example number two, here's an ad for an upcoming Iron Man series. Looks good overall, but there's that same foreshortening problem. Does he have one midget hand? Are we looking at him through a telescope?

Or is the artist just too nervous to push the envelope? This is where an editor should be stepping in. Foreshorten and fisheye that shit, dawg.

Hell, Iron Man is a comic about a robot with a rich drunk guy inside. GO NUTS with it, have fun. I always wondered why Iron Man's muscles show perfectly through the suit, but his face needs a smooth robotic mask. The gold lamay spandex is kinda creepy and that's why I prefer the original, clumsy, gray armor. I'm glad they showed it prominently in the first IM film. Also, in reference to the red & gold versus gray suits, can you show me which part of this suit is supposed to be made of iron?

I fixed it for you. 3 minutes in Photoshop and I just moved 50,000 more units of 'Iron Man Marvel Adventures Super Heroes'. Yes, that is apparently the very long name of the book. Maybe the title 'Iron Man Marvel Adventures Super Heroes Comic Book Printed on Paper and Read by People' was taken?

Stuff like this makes me wonder what's going on over at Marvel. They might need to send the CEO's on vacation and let the inmates run the asylum for a little while.







Long story short, we want more of this:











And no more of this:











If you're making comics, make fun comics. Give the camera and the model a rest. There's a reason why even now, in 2010, Kirby is still the king.

d

Apr 30, 2010

2 things for today

Firstly, there's a new Space 242 show opening tonight. I have a piece in it if you want to go see, here are the details...



And today is the release of Detour #14, the anthology that I participate in.


Go now and buy and do everything I tell you to.

Apr 25, 2010

Chikara

I've been working with some buddies on a video game for a little while now and we just released the trailer tonight. It's for a wrestling league called Chikara (kinda similar to Kaiju Big Battel). I made the visuals, which were brilliantly edited together here with some Tiny Wight musics. Hope you like it.




There, I fixed the link so it goes to YouTube.

Apr 7, 2010

New zombie project


No comment yet. Details later.

Apr 1, 2010

April Fools Fun

Always wanted to do a NotLD poster. So I took a few minutes off the usual non-disclosure-agreemented stuff for some fun. This might make a good silkscreen.

Mar 23, 2010

Mass Maelstrom progress...


Still needs some work. Looking at it now as I post, I think I'm going to push that Maelstrom-box to the right some more, I think I made MASS wider without adjusting the whole flush-right thing. And drop out the blue behind the MASS text, so it gets a bit more legible.

Might change that Maelstrom font, though I think I like breaking the serif/nonserif rule here. Makes it feel blunt and masculine.

Mar 22, 2010

And now...Men's Derby


Central Mass also has a men's team and they're named the Mass Maelstrom. Here's my rough sketch, which went over well. The type needs some help and the storm behind the type needs to be more circular and less football-shaped. I don't know what I was thinking.

Thunder God with wild hair and beard, big bad grin, horned helmet, bringing down the hammer over the circular storm (derby metaphor). More as it rolls out.

Also, it looks like Ginger the Bearded Nymph (see below) has been accepted into the next Space 242 show.

Mar 21, 2010

Derby logo final

Very similar to the last image I posted, but I just want to keep my rabid fans up to date. This is now set up for dark shirts. I added a white tag and a dark band to the underpants so they look more like panties, and it also pushes the girl forward. Also, I like how the black and orange form stripes in the back there.



Next up...vikings.

Mar 18, 2010

Derby logo phase 2

Hopefully not speaking out of turn, but the evolution of this logo is worth noting. This is a combination of yesterday's (see below) and another one I presented. I'm not sure about the underpants background anymore, I have a few ideas as to how to handle it. We'll see.


For some reason, everything on this blog page is yellow-orange. Bit painful on the eyes. Need more hot pink and green.

New Derby Stuff


Working on some new derby logos. Waiting to hear back from the league, but this one was my favorite of the set I sent them. Plenty I want to change, but overall I like this one.

Note the vague, panty-shaped background.